Category: Kane Looks Back (Page 2 of 2)

Kane Looks Back – Callsign: Queen

[“Kane Looks Back” is a series of posts where my editor, Kane Gilmour, will focus on some of my past novels that you might not have discovered yet. Now read on… –Jeremy]

 

This was the first Chesspocalypse novella where I came on board as editor, and I was pretty harsh on this story by Jeremy and David Wood. And I like the story a ton, actually. Keen eyed readers will have spotted that I’ve blurbed a novel or two in David’s Dane Maddock series as well, so clearly I’m a fan of his work. But I think David chafed a bit at the huge amounts of corrections and changes I wanted on this tale. Hopefully, he’s forgiven me. But the story is now, I think, all the better for that brutal edit.

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Kane Looks Back – Callsign: King

[“Kane Looks Back” is a series of posts where my editor, Kane Gilmour, will focus on some of my past novels that you might not have discovered yet. Now read on… –Jeremy]

So, for this Chesspocalypse novella, the first, I got to experience it the way the rest of you did—by reading it when it came out. Initially I was not the editor on the book, so I just got to read and enjoy it. (I’ve since gone in and touched up a few typos, but this one was remarkably clean.)

And what a ride it was! High praise to Sean Ellis for his inventive ideas on this one. The story involved a fabled Elephant Graveyard, a malevolent Artificial Intelligence (or was it a malevolent human disguised as an AI?), shootouts, car chases, a helicopter crash, and a woman with the power to end all life on earth by willing it–or by accidentally losing control! King really gets put through the wringer in this one. Jeremy and Sean collaborated on plot, Sean wrote the first draft, Jeremy tweaked and touched it up, and then it was out there in the world.

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Kane Looks Back: The Chesspocalypse

 

[“Kane Looks Back” is a series of posts where my editor, Kane Gilmour, will focus on some of my past novels that you might not have discovered yet. Now read on… –Jeremy]

Gather round the campfire, children. It’s time for another installment of OLD MAN KANE REMEMBERS. This time we’ll be focusing on The Chesspocalypse. And because there’s so much to it, I’ll do it in installments. Today I’ll just talk about the Chesspocalypse as a whole, and then we’ll tackle each installment in the coming days. If you have no idea what I’m talking about, Jeremy had written and had published three novels in the Jack Sigler / Chess Team series: PULSE, INSTINCT, and THRESHOLD. As I understand it, INSTINCT was meant to be first, but the publisher wanted something a little different, so Jeremy converted what had been a screenplay starring George Pierce, into what became PULSE. For those who might not have read these books, PULSE featured a special forces team facing the genetic tinkerings of a madman, which led to the accidental restoration of the Lernaean Hydra from Greek myth. It was a hard act to follow, but INSTINCT had the heroes return to face Neanderthal hybrids in the jungles of Vietnam, and in THRESHOLD, a previous villain returns seeking the protolanguage from the time before the Tower of Babel and uses it to animate golems to attack the world.

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Kane Looks Back: The Didymus Contingency

[“Kane Looks Back” is a series of posts where my editor, Kane Gilmour, will focus on some of my past novels that you might not have discovered yet. Now read on… –Jeremy]

I’ve known Jeremy for a decade now. I first found his work through the hardcover of Pulse (2009), which I loved. I quickly found Jeremy’s other books and fired an e-mail off to him asking if the earlier books would ever be out in hardcover, because I’m a hardcover guy. Even now, with several hundred books on my Kindle. Still prefer the hardcovers. Over time we corresponded a lot, and then I did some freelance editing for him, and eventually became his full-time editor. I revised the edits on The Didymus Contingency in 2011. I think Jeremy ended up adding maybe a chapter or two’s worth of content during that edit, technically making it a ‘revised edition.’ But three years later, I saw that the tenth anniversary of the book was coming up, and I lobbied Jeremy hard to let me have another quick crack at the book, cleaning it up even further, and creating an ‘Author’s Preferred Edition’ and releasing it in hardcover—finally, for the first time.

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