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POINT NEMO is a very different kind of book, and I’m not just saying that in a ‘toot your own horn’ kind of way. I mean for me personally. Typically, I jump right into a story and let it evolve as I write. POINT NEMO is different because the first twelve drafts of this story were a screenplay. I had amazing input from my manager, Jeffrey Belkin, and from Amanda Lewis at Original Film (producers of the Project Nemesis TV series). Their notes helped refine this story, adding twists and turns, unique perspectives, and nefarious ideas. So, when I started writing the novel, I had a detailed 120-page outline to follow. As a result, if the screenplay defies the odds and gets made as a movie, no one will be able to complain that they’re too different. Every scene that should be in the movie is in the book.
And I’m thrilled with the result of this collaborative effort. It took three years of writing and editing to get it to you, and as a result, I’m both sick of it, and very proud of the final product. It’s a thrilling story overflowing with science, bizarre creatures, a unique setting, and wonderful characters I still care about, and I think you will, too.
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